Hamish Pearch

Hamish Pearch (b. 1993, London, UK) earned his BFA from Camberwell College of Arts (UAL) in 2015 and received a Postgraduate Diploma from the Royal Academy Schools, London, 2019.

The artist reflects on the complex structures humanity occupies, exploring the materials, objects and spaces that make up our worlds. Through sculpture, installation, drawing and sound, his practice gives form to human experiences and systems that are mundane and magical in equal measure. Pearch’s sculptures mix, merge and remake forms to create objects of instability. Found objects, natural forms and commonplace materials are used alongside cast and modelled sculptures made from Jesmonite and resin. In other cases, objects seem frozen on the brink of metamorphosis. These volatile objects present material and metaphorical meeting points, where everyday objects slip between states of reality and the unconscious.

Selected solo exhibitions include: Amygdala Lost and Found, Sans titre (2016), Paris, (2021); Thames Mud, Front, Brussels, (2021); Head Above Water, Belsunce Projects/Manifesta 13, Marseille (2020); Nights, Soft Opening, London (2019) and On a day like this, Sans titre (2016), Paris (2018).
Forthcoming exhibitions include: The Art of Mushrooms, Park Serralves Foundation, Porto (June, 2022), Glitch: The City as Palimpsest, Cooke Latham, London (June, 2022) and, Happy Birthday, Dear Speed (solo), Quench, Margate (August, 2022).
Curated and selected group exhibitions include: La Psychologie Des Surres, Centre d’Art de Neuchâtel, Swizterland (2021), 5th Edition, Contemporary Sculpture Fulmer, London (2021), Mushrooms, Somerset House, London (2020); Schools Show, Royal Academy of Art, London (2019); Ana Prata and Hamish Pearch curated by Kiki Mazzucchelli at Kupfer, London (2018), Go, Soft Opening, London (2018), New Relics, Thames-side Studios, London, (2018), Premiums, Royal Academy of Arts, London, (2018), Addams Outtakes, Roaming Projects, London, (2017), Does Your Chewing Gum Lose Its Flavour (co-curated and exhibited in withWilliam Rees) at J Hammond Projects, London (2017), Le Laboratoire, Sans titre (2016), Marseille, (2017), Bloomberg New Contemporaries at Primary, Nottingham and ICA, London (2015). Pearch’s exhibition at Belsunce Projects won a grant from Fluxus Art Projects and the artist was a finalist for the XL Caitlin Prize in 2016. He took part in the Launch Pad LaB residency program (La Boissière, 2020).

CV
Hamish Pearch - © Sans titre (2016)
exhibition view, Phantasmata, 2022, Public Gallery, London
Hamish Pearch - © Sans titre (2016)
Aeons perfecting a spore (detail), 2022
Hamish Pearch - © Sans titre (2016)
exhibition view, 5th edition, 2021, Contemporary Sculpture Fulmer, UK
Hamish Pearch - © Sans titre (2016)
I am good because I feel good. I feel good because I am good. My mother loves me because I am good. If my mother does not love me I feel bad. I feel bad because she does not love me. I am bad because I am bad. I am bad because she does not love me. She do, 2021, plaster polymer, resin, ply, paint, 65 x 68 x 62 cm, unique
Hamish Pearch - © Sans titre (2016)
I am good because I feel good. I feel good because I am good. My mother loves me because I am good. If my mother does not love me I feel bad. I feel bad because she does not love me. I am bad because I am bad. I am bad because she does not love me. She do (detail), 2021, plaster polymer, resin, ply, paint, 65 x 68 x 62 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
Grow bag, 2021, Jesmonite, epoxy putty, oil paint, 35 x 25 x 20 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
15:11, 2021, plaster, resin, paint, 10 x 10 x 25 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
Auditory Nerve Archive, 2021, steel, polymerised gypsum, oil paint, 42 x 32 x 26 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
Fruits, 2021, resin, fiberglass, Jesmonite, ply, oil paint, graphite, 60 x 60 x 115 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Amygdala lost and found, 2021, Sans titre (2016), Paris
Hamish Pearch - © Sans titre (2016)
Lost Coolbox, 2020, pencil on paper, aluminum frame, 61 x 76 x 3.5 cm, unique
Hamish Pearch - © Sans titre (2016)
Lost House Mouse, 2020, pencil on paper, aluminum frame, 61 x 76 x 3.5 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Thames Mud, 2021, front, Brussels
Hamish Pearch - © Sans titre (2016)
exhibition view, Thames Mud, 2021, front, Brussels
Hamish Pearch - © Sans titre (2016)
exhibition view, Thames Mud, 2021, front, Brussels
Hamish Pearch - © Sans titre (2016)
exhibition view, The Garden of Unearthly Delights, 2021, Elizabeth Xi Bauer, London
Hamish Pearch - © Sans titre (2016)
exhibition view, The Garden of Unearthly Delights, 2021, Elizabeth Xi Bauer, London
Hamish Pearch - © Sans titre (2016)
exhibition view, The Garden of Unearthly Delights, 2021, Elizabeth Xi Bauer, London
Hamish Pearch - © Sans titre (2016)
Tenant, 2021, resin, paint, 2 x 1.5 x 1 cm, unique & Clay Globe Trotter, 2021, plaster polymer, oil paint, 50 x 50 x 40 cm, unique
Hamish Pearch - © Sans titre (2016)
Tenant, 2021, resin, paint, 2 x 1.5 x 1 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, The Garden of Unearthly Delights, 2021, Elizabeth Xi Bauer, London
Hamish Pearch - © Sans titre (2016)
exhibition view, The Stable Object in Precarious Times, 2021, Castor, London
Hamish Pearch - © Sans titre (2016)
Tick Tock (detail), 2021, polymerised gypsum, resin, paint, 40 x 30 x 25 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, The Stable Object in Precarious Times, 2021, Castor, London
Hamish Pearch - © Sans titre (2016)
Current Joys (Paper, Hawaiians), 2020, polymerised gypsum, epoxy putty, oil paint, 49.2 x 37.5 x 42.3 cm, unique
Hamish Pearch - © Sans titre (2016)
Paris Internationale 2020, exhibition view, SuperSalon, Paris
Hamish Pearch - © Sans titre (2016)
exhibition view, Head Above Water, 2020, Manifesta 13, Belsunce Projects, Marseille
Hamish Pearch - © Sans titre (2016)
Soup, 2020, MDF, polymerised gypsum, paint, commingled French and British sand, 150 x 182 x 72 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Head Above Water, 2020, Manifesta 13, Belsunce Projects, Marseille
Hamish Pearch - © Sans titre (2016)
Globe Trotter, 2020, polymerised gypsum, resin, oil paint, 50 x 70 x 40 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Head Above Water, 2020, Manifesta 13, Belsunce Projects, Marseille
Hamish Pearch - © Sans titre (2016)
Foraged I, 2020, steel, epoxy putty, oil paint, 50 x 70 x 40 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Head Above Water, 2020, Manifesta 13, Belsunce Projects, Marseille
Hamish Pearch - © Sans titre (2016)
All waters converge, 2020, MDF, polymerised gypsum, steel, paint, sand, 50 x 85 x 60 cm, unique
Hamish Pearch - © Sans titre (2016)
All waters converge, 2020, MDF, polymerised gypsum, steel, paint, sand, 50 x 85 x 60 cm, unique
Hamish Pearch - © Sans titre (2016)
Island IV, 2020, plaster polymer, steel, oil paint, ø 20 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Head Above Water, 2020, Manifesta 13, Belsunce Projects, Marseille
Hamish Pearch - © Sans titre (2016)
No water is separate from any other water, 2020, MDF, polymerised gypsum, steel, paint, sand, 100 x 85 x 30 cm, unique
Hamish Pearch - © Sans titre (2016)
No water is separate from any other water (detail), 2020, MDF, polymerised gypsum, steel, paint, sand, 100 x 85 x 30 cm, unique
Hamish Pearch - © Sans titre (2016)
Deep Blue Day, 2020, MDF, polymerised gypsum, steel, paint, sand, 70 x 85 x 30 cm, unique
Hamish Pearch - © Sans titre (2016)
Deep Blue Day, 2020, MDF, polymerised gypsum, steel, paint, sand, 70 x 85 x 30 cm, unique
Hamish Pearch - © Sans titre (2016)
Collective memory storage, 2020, plexiglass, dust, 17 x 29 x 16 cm, unique
Hamish Pearch - © Sans titre (2016)
exhibition view, Disgressions, 2019, Somerset House, London
Hamish Pearch - © Sans titre (2016)
exhibition view, Nights, 2019, Soft Opening, London
Hamish Pearch - © Sans titre (2016)
exhibition view, Nights, 2019, Soft Opening, London
Hamish Pearch - © Sans titre (2016)
exhibition view, Nights, 2019, Soft Opening, London
Hamish Pearch - © Sans titre (2016)
exhibition view, Nights, 2019, Soft Opening, London
Hamish Pearch - © Sans titre (2016)
exhibition view, Nights, 2019, Soft Opening, London
Hamish Pearch - © Sans titre (2016)
exhibition view, degree show, 2019, Royal Academy of Arts School, London
Hamish Pearch - © Sans titre (2016)
exhibition view, degree show, 2019, Royal Academy of Arts School, London
Hamish Pearch - © Sans titre (2016)
exhibition view, degree show, 2019, Royal Academy of Arts School, London
Hamish Pearch - © Sans titre (2016)
exhibition view, degree show, 2019, Royal Academy of Arts School, London
Hamish Pearch - © Sans titre (2016)
exhibition view, degree show, 2019, Royal Academy of Arts School, London

You are using an outdated browser.
Please upgrade your browser to improve your experience.